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January 2018

The Dance Complex Presents MB&D

January 13, 2018 @ 8:00 pm - 9:30 pm
The Dance Complex, 536 Mass Avenue
Cambridge, MA 02139 United States
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The Dance Complex Presents

Megan Bascom & Dancers

Saturday, January 13th at 8pm

Tickets

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The Dance Complex Presents MB&D

January 14, 2018 @ 7:00 pm - 8:30 pm
The Dance Complex, 536 Mass Avenue
Cambridge, MA 02139 United States
+ Google Map

The Dance Complex Presents

Megan Bascom & Dancers

Sunday, January 14th at 7pm

Tickets

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April 2018

Performing work-in-progress @ University of Michigan

April 16, 2018 @ 8:00 pm - 10:00 pm
Free

Come From Here (work-in-progress) As part of NO SPACE. a performance of works by University of Michigan MFA students. Including works by Megan Bascom, Lenard J. Foust, Kelly Hirina, and Nicki Rehorst Monday, April 16th at 8pm 1310 N. University Court, 2nd Floor Betty Pease Studio Theater  

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December 2018

In Residence at Hacettepe University/Ankara State Conservatory (Turkey)

December 1, 2018 - December 18, 2018
Haceteppe University Ankara State Conservatory Ankara, Turkey + Google Map

Hacettepe University/Ankara State Conservatory of Ballet and Dance hosts Megan Bascom to re-stage and present Yanındayım, as part of a project led by the Department of Dance’s Chair, Dr. Selçuk Goldere. Supported with funding from the US Embassy in Turkey, the Sacred Dance Project is in its second phase. Yanındayım will be presented at the Ankara State Theater on December 16, 2018, alongside the work of world-renowned Selçuk Goldere, Aquila Rosewind, and William Forsythe staged by Christopher Roman and Brit Rodemund. Bascom's…

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UMich Graduate Studio Showing

December 8, 2018 @ 5:30 pm - 6:30 pm
University of Michigan School of Music, Theatre and Dance Ann Arbor, MI + Google Map

A studio showing of graduate thesis explorations, developments, and research.

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Yanındayım performed at Goethe Institute

December 17, 2018 @ 7:00 pm - 9:00 pm
Goethe Institute Ankara, Turkey + Google Map

Yanındayım will be presented at the Goethe Institute on December 17, 2018, alongside the work of world-renowned Selçuk Goldere, and William Forsythe staged by Christopher Roman and Brit Rodemund.

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April 2019

Intersections: MFA Thesis Concert Megan Bascom & Nicole Reehorst

April 4, 2019 @ 8:00 pm - 9:30 pm
University of Michigan Betty Pease Studio Theatre, 1310 N University Court, 2nd Floor
Ann Arbor, MI 48014 United States
$7

Intersections

Performance by Master of Fine Arts Dance Candidates

The Department of Dance at the University of Michigan School of Music, Theatre & Dance presents Intersections, an evening of interdisciplinary dance works choreographed by Master of Fine Arts candidates Megan Bascom and Nicole Reehorst.

 

Intersections will be presented on April 4th, 5th & 6th at 8:00pm in the Betty Pease Studio Theater, at the Dance Building, 1310 North University Court, Ann Arbor, MI, 48109. Tickets are $7 at the door and are available starting at 7:00 pm. For more information about Intersections, please visit smtd.umich.edu/dance/#events.

 

Bascom's work, ReGuarding, interacts with imposed boundaries and perceptions of communication where trust is fleeting, empathy is precious and recognizing community is vital. Intersected by frequent interruptions, cause and effect are unpredictable and instincts are tested. Performed to an original score by Geoff Brown and Joey Fortino with trumpet by Josephine Ala, ReGuarding involves a split cast of eight dancers, including Bascom, who continuously evaluate the lines drawn between them with a mobile set designed by Joey Ostrander.

 

Reehorst’s work Playing dead investigates female performance within the canon of classical ballet. Playing dead seeks to complicate the narrative assigned to women in the Romantic-era ballet Giselle— a story of betrayal, madness, death, and survival— repositioning “her” as strategic and wild, soft and resilient. The work features a cast of five female dancers (including Reehorst), music by Frédéric Chopin and Clara Schumann performed live by pianist Yalan Piao, and costumes designed by Jessica Reehorst.

 

This thesis concert is being held in partial fulfillment of the Department of Dance Master of Fine Arts degree requirements. The research for this event is funded in part by the University of Michigan Department of Dance, the School of Music, Theatre & Dance Dean Discretionary Fund, the William Braddan McClellan, Jr. Fund in Dance, the Center for World Performance Studies, and the School of Music, Theatre & Dance Meta Weisel EXCELerator Grant.

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Intersections: MFA Thesis Concert Megan Bascom & Nicole Reehorst

April 5, 2019 @ 8:00 pm - 9:30 pm
University of Michigan Betty Pease Studio Theatre, 1310 N University Court, 2nd Floor
Ann Arbor, MI 48014 United States
$7

Intersections

Performance by Master of Fine Arts Dance Candidates

The Department of Dance at the University of Michigan School of Music, Theatre & Dance presents Intersections, an evening of interdisciplinary dance works choreographed by Master of Fine Arts candidates Megan Bascom and Nicole Reehorst.

 

Intersections will be presented on April 4th, 5th & 6th at 8:00pm in the Betty Pease Studio Theater, at the Dance Building, 1310 North University Court, Ann Arbor, MI, 48109. Tickets are $7 at the door and are available starting at 7:00 pm. For more information about Intersections, please visit smtd.umich.edu/dance/#events.

 

Bascom's work, ReGuarding, interacts with imposed boundaries and perceptions of communication where trust is fleeting, empathy is precious and recognizing community is vital. Intersected by frequent interruptions, cause and effect are unpredictable and instincts are tested. Performed to an original score by Geoff Brown and Joey Fortino with trumpet by Josephine Ala, ReGuarding involves a split cast of eight dancers, including Bascom, who continuously evaluate the lines drawn between them with a mobile set designed by Joey Ostrander.

 

Reehorst’s work Playing dead investigates female performance within the canon of classical ballet. Playing dead seeks to complicate the narrative assigned to women in the Romantic-era ballet Giselle— a story of betrayal, madness, death, and survival— repositioning “her” as strategic and wild, soft and resilient. The work features a cast of five female dancers (including Reehorst), music by Frédéric Chopin and Clara Schumann performed live by pianist Yalan Piao, and costumes designed by Jessica Reehorst.

 

This thesis concert is being held in partial fulfillment of the Department of Dance Master of Fine Arts degree requirements. The research for this event is funded in part by the University of Michigan Department of Dance, the School of Music, Theatre & Dance Dean Discretionary Fund, the William Braddan McClellan, Jr. Fund in Dance, the Center for World Performance Studies, and the School of Music, Theatre & Dance Meta Weisel EXCELerator Grant.

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Intersections: MFA Thesis Concert Megan Bascom & Nicole Reehorst

April 6, 2019 @ 8:00 pm - 9:30 pm
University of Michigan Betty Pease Studio Theatre, 1310 N University Court, 2nd Floor
Ann Arbor, MI 48014 United States
$7

Intersections

Performance by Master of Fine Arts Dance Candidates

The Department of Dance at the University of Michigan School of Music, Theatre & Dance presents Intersections, an evening of interdisciplinary dance works choreographed by Master of Fine Arts candidates Megan Bascom and Nicole Reehorst.

 

Intersections will be presented on April 4th, 5th & 6th at 8:00pm in the Betty Pease Studio Theater, at the Dance Building, 1310 North University Court, Ann Arbor, MI, 48109. Tickets are $7 at the door and are available starting at 7:00 pm. For more information about Intersections, please visit smtd.umich.edu/dance/#events.

 

Bascom's work, ReGuarding, interacts with imposed boundaries and perceptions of communication where trust is fleeting, empathy is precious and recognizing community is vital. Intersected by frequent interruptions, cause and effect are unpredictable and instincts are tested. Performed to an original score by Geoff Brown and Joey Fortino with trumpet by Josephine Ala, ReGuarding involves a split cast of eight dancers, including Bascom, who continuously evaluate the lines drawn between them with a mobile set designed by Joey Ostrander.

 

Reehorst’s work Playing dead investigates female performance within the canon of classical ballet. Playing dead seeks to complicate the narrative assigned to women in the Romantic-era ballet Giselle— a story of betrayal, madness, death, and survival— repositioning “her” as strategic and wild, soft and resilient. The work features a cast of five female dancers (including Reehorst), music by Frédéric Chopin and Clara Schumann performed live by pianist Yalan Piao, and costumes designed by Jessica Reehorst.

 

This thesis concert is being held in partial fulfillment of the Department of Dance Master of Fine Arts degree requirements. The research for this event is funded in part by the University of Michigan Department of Dance, the School of Music, Theatre & Dance Dean Discretionary Fund, the William Braddan McClellan, Jr. Fund in Dance, the Center for World Performance Studies, and the School of Music, Theatre & Dance Meta Weisel EXCELerator Grant.

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August 2020

Performing with Staging-Place

August 13, 2020 @ 8:00 pm - 9:30 pm
Riverside Park Bridge, Depot Town, Ypsilanti, MI
Free

Performing as part of Staging Place's first evening of experimental performances. Their work and research are made possible through SonicScenographies, the University of Michigan School of Music, Theatre and Dance, Taubman College, and the University of Michigan Arts Engine. Visit staging-place.com for more information.

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